Caroline
Esbenshade


Artist

About 
    artist statement
    c.v.

Projects:
    Feminist Mythologies
        Danaë
        Odyssey in Neon

    Still life / material culture
        Repoussoir
        Are you still watching?
        Still life
    Portraits
       
Exhibitions:
  Things that shouldn’t last
  Repoussoir


Curator

Selected curatorial projects


Contact



I acknowledge the Traditional Custodians of the country on which I live and work and their connections to the land. I pay my respects to Elders past and present and extend that respect to all Indigenous peoples today.

©2026 Caroline Esbenshade
Caroline 
Esbenshade

Still life paintings & photography




5 Meditations (2023), oil paint on canvas, 106x81cm







Lockdown Still Lifes

2020 - 2022 

Produced between 2020 and 2022, this series of oil paintings and instant film photographs emerged from the quiet confinement of Melbourne’s extended pandemic lockdowns. With access to live models or travel restricted, I, like Gustave Courbet during his imprisonment in 1871, turned inward—drawing inspiration from the objects immediately around me. Just as Courbet painted still lifes of fish, fruit, and flowers sent to him by his sister, I composed scenes using items at hand: fresh flowers from the garden, wine, lingerie, tarot cards, and jewellery—small luxuries that offered comfort, sensuality, and symbolism during a time of isolation.

The still life genre became a vessel through which I explored themes of femininity, domesticity, and memory. Arranged against dark, minimal backgrounds that reflect the interior solitude of lockdown, these compositions blur the lines between the private and the performative, the everyday and the ornate. Instant film photographs, both embedded in the paintings and presented on their own, underscore a fascination with the fleeting moment and with how we record and recall time spent in seclusion.

The inclusion of tarot cards gestures toward a deeper search for meaning, self-determination, and agency in uncertain times—disrupting passivity and offering alternative narratives beyond confinement. What began as a limitation became a meditation on beauty, longing, and the roles objects play in shaping identity


2022
 
2021


2020